12/29/2023 0 Comments Dragon landscape.His idealised Italian views found great favour with English audiences, and he rapidly achieved success in that country, becoming a founder-member of the Royal Academy in 1768. Several Italian artists who travelled to England in the eighteenth century. Meleager and Atalanta, 1771 (Tate Gallery T03366), while retaining much of Zuccarelli's basic compositional formula, contrasts with the latter's pleasingly coloured Rococo rendering. Zuccarelli was an early influence on Richard Wilson, whose later gloomy and dramatic treatment of another subject from Ovid, While enhancing its interest by the insertion of a classical subject, Zuccarelli lets the landscape element predominate. The result is an attractive painting which James Barry, on seeing it at the 1765 Free Society of Artists exhibition, described as 'an exceedingly good landscape'. Numerous companions have been reduced to two figures lying on the ground as if asleep. Similarly, the mangled remains of Cadmus's Zuccarelli renders the scene with greatĪccuracy of detail, but characteristically reduces Ovid's towering monster to proportions that do not interfere with the pleasantly Arcadian landscape, making the hero's victory reassuringly predictable. Protected by a lion-skin and armed with a javelin, Cadmus first throws a massive boulder at the dragon, then backs it against an oak tree and spears it to death. The serpent, which dwells in a cave beside a spring in the primeval forest, destroys the hero'sĬompanions when they come to collect spring water. For two years, since 2017, he has served as chief architect at CESC China.The subject of this painting is taken from Book III of Ovid's Metamorphoses.Ĭadmus, the mythological founder of Thebes and brother of Europa, while on his journey to Thebes is called upon to overcome a dragon sacred to Mars. From 2007 to 2017 he has also been collaborating with Cui Kai Architecture Studio, an architecture and research studio located in Beijing. Being a collaborator of the aforementioned design studio Zhijian Workshop, in 2005 he will work with the Dacbert-Cochet-Chapellier Architects Associates in Paris. Two years later, he will travel again to Beijing where he spent ten months of research in 2006 to finally graduate in Architecture at the School of La Villete in Paris in 2007.Īurelien Chen has a great career behind him. After starting to study Architecture, in 2004 he will study a semester at the School of Architecture at Tsinghua University in Beijing, China. In 2002, he graduated in Construction Engineering specializing in architecture at the "Ecole Speciale des Travaux Publicsen", one of the most representative schools in the European country. He is also a partner at Zhijian Workshop, a multidisciplinary design studio based in China, France, and Germany.Īurelien Chen was born in France in 1979. The perforations on the mirror panels create an interplay of light and shadow marking the passing of time.Īt night, thousands of stars appear on the poles, perforated randomly, and give shape to a mountain vibrant with light.Īurelien Chen is a French architect, architecture photographer and construction engineer, with 15 years of experience in China. In this peaceful setting, urban life goes on reflecting itself on the mirror canopies and on the surface of the poles. The canopies placed above the visitor’s head to represent clouds, turn out to be mirrors. The poles become a forest a black marble river invites the visitor to walk towards the real mountain standing out against the horizon. While the visitor moves closer, he discovers a miniature landscape in which he can move and stroll. With speed, the poles become a single surface and the effects created by the different materials composing the poles reveal the shape of a new mountain. While approaching the site from the street, a vibrant mountain composed by 200 inox poles subtly appears in the distance. There are three different sequences of approach and just as many levels of perception in this installation. Above all else, this installation is a landmark placed by the roadside to draw the attention to the entrance of the Dragon Mountain Natural site (Zhulong Shan), a typical example of « Shanshui » traditional Chinese landscape composed by mountains, forest, clouds and water.
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